When most people think about musical improvisation, they imagine Charlie Parker and John Coltrane, inventing melodies in smoky jazz clubs. But the act of musical improv isn't a 20th century invention. As Alex Ross notes in this fascinating article, "classical" music has long reserved a spot for improvisation by the performer. The cadenza, a spot at the end of the piece reserved for a display of virtuosity, was designed to encourage improvisation, as soloists figured out, on the fly, how to finish off a Mozart concerto:More after the jump.
Also, someone decided to make an opera out of Alberto Gonzalez's congressional hearings. Umm, lol.
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